Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
From the series Shock
Archival ink pigment print, unframed, on 100% cotton rag museum-quality fine art paper with a bright smooth matte finish. Each work is limited edition, hand-signed and numbered. All work comes with a provenance label, certificate of authenticity and is packaged with care in quality materials.
20×20 in (51×51 cm) — Edition of 10
30×30 in (76×76 cm) — Edition of 10
40×40 in (102×102 cm) — Edition of 3
+2APs
*For alternative finishing options as seen in studio, please email info@shiragold.com
About the series:
The series of self-portraits in Shock depict my entry into mourning. At once private and confessional, its images expose the profound devastation I experienced with my mother’s passing.
These treescape portraits attend to the foreign and strained experience of suffocating under the loneliness of grief, while also feeling closed in and observed like an object of curiosity by well-intending loved ones offering sympathy. Each image in Shock is set against a stark black background—a contained terrarium of grief, observed in isolation. The beauty of the natural landscape sharply strikes against the darkness, a silhouette of longing, of solitude, even of hope—a document of the traumatic impact that marked the crisis of losing my mother.
From the series Shock
Archival ink pigment print, unframed, on 100% cotton rag museum-quality fine art paper with a bright smooth matte finish. Each work is limited edition, hand-signed and numbered. All work comes with a provenance label, certificate of authenticity and is packaged with care in quality materials.
20×20 in (51×51 cm) — Edition of 10
30×30 in (76×76 cm) — Edition of 10
40×40 in (102×102 cm) — Edition of 3
+2APs
*For alternative finishing options as seen in studio, please email info@shiragold.com
About the series:
The series of self-portraits in Shock depict my entry into mourning. At once private and confessional, its images expose the profound devastation I experienced with my mother’s passing.
These treescape portraits attend to the foreign and strained experience of suffocating under the loneliness of grief, while also feeling closed in and observed like an object of curiosity by well-intending loved ones offering sympathy. Each image in Shock is set against a stark black background—a contained terrarium of grief, observed in isolation. The beauty of the natural landscape sharply strikes against the darkness, a silhouette of longing, of solitude, even of hope—a document of the traumatic impact that marked the crisis of losing my mother.